Bringing the beauty of
Vietnamese sceneries to the world.
KONG: SKULL ISLAND
Set design production
Vũ Huy, a renowned Vietnamese artist, has significantly influenced the film industry. Known for his work in "The Quiet American" and "Indochine," he was the only Vietnamese artist in the "Kong: Skull Island" crew.
He introduced traditional village items and designed props, bringing Ninh Bình's beauty to the world and showcasing Vietnam's landscapes and cultural richness on the big screen.
FILM PRODUCTION
Vũ Huy is one of the most experienced movie art directors in Vietnam, having had a profound impact on the film industry. Throughout his career at the Vietnam Feature Film Studio, he directed artistic ideas and scenography for historical movies such as "A Night of Long Tri Festival" (1989), "Dong Loc Junction" (1997), and "Memory of Dien Bien" (2002).
His expertise also extended to international cinema, where he contributed to acclaimed films like "Indochine" (1992), "The Quiet American" (2002), and "Kong: Skull Island" (2017). In these roles, Vũ Huy skillfully showcased Vietnam's cultural and natural beauty, earning recognition for his innovative prop designs and authentic set creations.
ART DIRECTION & SET DESIGN FOR FILMS
As an art director and creative lead for set design in numerous acclaimed historical films, Vu Huy has distinguished himself as a meritorious artist by seamlessly blending Vietnam’s cultural heritage with global-scale production.
His expertise is marked by a profound respect for the connection between art and culture, creating an authentic and unique atmosphere in his films that pays homage to his deep appreciation for Vietnam.
Set design for ‘The Quiet American’
As an art director and creative lead for set design in numerous acclaimed historical films, Vu Huy has distinguished himself as a meritorious artist by seamlessly blending Vietnam’s cultural heritage with global-scale production. His expertise is marked by a profound respect for the connection between art and culture, creating an authentic and unique atmosphere in his films that pays homage to his deep appreciation for Vietnam.
Set design for ‘Indochine’
Set design for ‘Memory of Dien Bien’